Everything on The Cove
Of all the work I've done for The Inductive, it seems the most popular has been my review of The Cove. As The Inductive pretends to be a conversational, critical, non-partisan online magazine, we would like to allow commentors to say whatever they desire in hopes that it will advance our public conversation. Basically, this means we will never erase any comments (unless they're spam). We do ask, however, that commenters remain civil, and try not to bring up debates that have been "resolved"; that is, we kindly request that commenters read everything we have on a particular topic before commenting.
In the case of my review of the Academy Award winning documentary The Cove, however, I have to take responsibility for poor site layout as the direct cause of a general incoherence on the part of commenters leading to Joe and I repeatedly explaining the same point. Since The Cove as a topic encompass Japan (Dispatches from the Wild Wild East), culture (the generally neglected Art of Leisure), and public policy (Specific Facts), posts on The Cove have appeared in three out of four sections of our online magazine, roughly based on whatever focus each specific post seemed to have at the time. So here, to clarify everything, I'd like to present a discussion map of sorts:
Saturday, September 4, 2010 at 3:26AM |
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