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Entries in culture war (9)

Monday
Mar072011

Recognizing Convenience

Like many I’m sure, I take for granted the ease with which I walk into my corner store and get the things I need without having to bother or hassle with traveling further to a large grocery store once every three weeks or so to restock.  More likely I bitch - like many - about how high the markup is on items (under my breath) and move along. Something happened to me yesterday as I was in my corner store chatting it up with the day-guy and the night-guy came in for his appropriate shift and while doing so he patted me on the shoulder and said “What’s up Chip?” This little effort made the day a little better and, I obviously remember it.

So I’ll cut to the quick here. Our good country has forgotten just how good we are, and you’ll take notice I didn’t say great; it currently seems impossible to utter the word with any truth where the U.S. is concerned.  It's time to stop whining and take (some kind of) action. I don’t buy in to the theories that technology and progress is the reason for our collective asses not getting off the couch. There has always been some kind of technology. Blowing smoke has apparently become the status quo. I don’t like having to apologize for wanting to save the world and I live in the country that used to be number one in that department in everyone’s eyes. Unlike Gordon Gekko I don’t think greed is good, it's more like Jonestown Kool-Aid.  And our whiney little attitudes and the preservation of politicians who only protect themselves and their campaign donor’s butts just won’t cut it anymore. Through fear, intimidation and some good-old-boy appeasing we have been force-fed that bitching is just how it is and there is no reparation. Hogwash.

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Monday
Jan172011

Practical Taoism

Now that we know who you are... I know who I am. I'm not a mistake! It all makes sense. In a comic, you know how you can tell who the arch-villain's going to be? He's the exact opposite of the hero, and most time's they're friends, like you and me. I should've known way back when. You know why, David? Because of the kids. They called me Mr. Glass.

The American discourse is often constructed as a series of binary and antagonistic opposites.  One of which I am particularly fond is the progress vs. tradition binary, which forms a base on which other binaries stand: atheism vs. belief for example; urban vs. rural; electronic media vs. print media; walkable cities vs. suburbs; or rock music vs. classical music.  There are countless examples, and these are all part of a greater false dichotomy, for in between progress and tradition lies not antagonism but symbiosis.  

All the things we think of as traditional are traditional because something changed.  For example, we value antique furniture, old houses, and black and white movies as traditional because now we have Ikea, mass-produced homes, and Avatar.  The frontier, the Western Movie, and Manifest Destiny serve as components of our national mythology because the American West is now criss-crossed with highways and Internet cables and peppered with fast food restaurants and Wal-marts.  Indeed, there would be no tradition without change.  The very concept would be meaningless.  It helps to remember this when we imagine an idyllic and rosy past that does not exist outside of our modern framing.

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Wednesday
Jan122011

Welcome to Hard Times

“Every time someone puts a little capital into this Territory I’m called in by the Govenor and sent on my way. It doesn’t matter I suffer from the rheumatism, nor that I’m past the age of riding a horse’s back. If a man files a claim that yields, there’s a town. If he finds some grass, there’s a town. Does he dig a well? Another town. Does he stop somewhere to ease his bladder, there’s a town. Over this land a thousand times each year towns spring up and it appears I have to charter them all. But to what purpose? The claim pinches out, the grass dies, the well dries up, and everyone will ride off to form up again somewhere else for me to travel. Nothing fixes in this damned country, people blow around at the whiff of the wind. You can’t bring the law to a bunch of rocks, you can’t settle the coyotes, you can’t make a society out of sand. I sometimes think we’re worse than the Indians... What is the name of this place, Hard Times? You are a well-meaning man Mr. Blue, I come across your likes occasionally. I noticed Blackstone on your desk, and Chitty’s Pleadings. Well you can read the law as much as you like but it will be no weapon for the spring when the town swells with people coming to work your road. You need a peace officer but I don’t even see you wearing a gun. I look out of this window and I see cabins, loghouse, cribs, tent, shanty, but I don’t see a jail. You’d better build a jail. You’d better find a shootist and build a jail.” - Brown from E.L. Doctorow's novel, Welcome to Hard Times

Welcome to Hard Times is the first novel of writer E.L. Doctorow.  When it was published in 1960, it was heralded as a beautiful and thought-provoking blend of Joseph Conrad's Heart of Darkness and the generic themes of the American Western.  The novel is an account of how the human soul reacts to tragedy.  At the beginning, a "Bad Man from Bodie" comes into the makeshift town of Hard Times situated in the bleakness of the Dakota Territory.  In a drunken yet pleasure-filled rampage, the Bad Man kills several residents of the town, including the only man who stands up to him, Fee, rapes a local prostitute, and burns what remains before riding off into the proverbial sunset.

After the Bad Man from Bodie departs, most of the remaining townspeople do as well.  Blue, the mayor, too cowardly to have stood up to the Bad Man, takes personal responsibility for rebuilding Hard Times and convinces a few others to stay, among them a ravaged barmaid, Molly, and the orphaned son of Fee.  Blue takes Molly as his common-law bride and adopts Jimmy Fee, but Molly despises him for not stopping the Bad Man, and her paranoia infects Jimmy.  The remaining townspeople succumb to rage and madness.  From the 1960 New York Times review from Wirt Williams:

Perhaps the primary theme of the novel is that evil can only be resisted psychically: when the rational controls that order man's existence slacken, destruction comes.

Indeed, the ripple effect of tragedy on the human psyche is something with which we should be more familiar.  From the events of September 11, 2001 to the recent fatal shooting of six people at a Safeway in Tucson, Arizona, we as a technological civilization have reapeatedly responded to tragedy in a fashion characteristic of a different, tribal human nature, divorced from present time and circumstance: descent into direction-less madness, paranoia and finger-pointing.

David Hume once said that reason ought to be the slave of the passions.  It's okay to be angry when a tragedy happens, but we must be conscious of our anger, and we must employ it judiciously.  Any scientist or philosopher of science will tell you that anecdotal evidence should never be taken without a proverbial grain of salt.  Indeed, anecdotal evidence was the basis for phrenology and we all know where that kind of sloppy thinking eventually led: to techno music.  (Incidentally that previous contention rests on anecdotal evidence, but you see where I'm going with this.)

The interconnectedness of our media-saturated society makes us particularly prone to wild displays of misdirected anger sprung from obscure and isolated phenomena, like the shooting in Tucson.  For this reason, it is especially important in emotionally tense times like these to postpone action.  There is a reason the ancients prescribed long periods of mourning.  We must learn from the mistakes of the USAPATRIOT Act and the War in Iraq that hastily conceived legislation passed in an emotionally heightened political climate seldom achieves its stated ends without enormous repercussions.

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Thursday
Oct212010

Read It or Leave It

Do you want a roundhouse kick to the face from a guy wearing these bad boys? I didn't think so.There is an unjustified consensus among expats that living in East Asia ruins your English ability.  It's true I find myself forgetting how to spell simple words and making high school mistakes when it comes to word choice or style, but in general my English has improved since I came here. 

To follow up on my last post, this is because English teachers have to think about literally every word that comes out of our mouths; we gradually habituate to using terminology and grammar that our students can understand. 

When I came upon the works of Kay Hetherly a few weeks ago, it became clear to me that not only could expats write well, but that they could write well because they were expats.  Hetherly's Hemmingway-like paucity of words and exactness is something to which I aspire. 

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Monday
Sep202010

A Tea Party is Better than Two Party

From Ms. Murkowski's flckrWhen Lisa Murkowski launched her write-in campaign for the Alaskan Senate seat she currently holds it might have formally come without the blessing of Republican establishment, but their secret sympathies must lie with their former caucus member.  As the Tea Party's Republican body count grew, the marriage of convenience's true cost must have dawned on all but the most pure hearted of conservatives.  Sure, all this ginned up anger points left, but from a vantage so far right that even stalwart conservatives have become targets for venial ideological transgressions.  At some point politician self-interest had to kick in and Ms. Murkowski drew the line in the sand.  If the Tea Parties want to weaponize low-turnout primaries to punish even minor dissent then ousted Republicans can make their case to the general public.  Murkowski, and Charlie Crist, offer a path for moderate Republicans who fret about their seats.

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Wednesday
Aug252010

More on the Burlington Coat Factory Non-Mosque

I was pretty short on material for today, so I decided to see what the good folks over at National Review were up to, and saw that Charles Krauthammer himself had weighed in on the Burlington Coat Factory Islamic Culture Center controversy with a piece called "Moral Myopia at Ground Zero".  I was not particularly impressed by this one, and I have been impressed by Krauthammer before.  Basically, he lumps the standard liberal argument into an effigy of straw to be sacrificed to the god of conservative caricature. 

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Tuesday
Mar162010

Fake History in Texas

According to the New York Times, a group of ten socially conservative Texas Board of Education members have won a decisive victory for determining the content of the state's social studies and economics curricula for the next decade.  No historians or economists were consulted in making the changes, which will affect more than 6.5 million students over the next ten years

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Wednesday
Mar102010

Why Youth Leads the Recovery

source: Justice DepartmentThis week's Featured Find, an excellent Atlantic article by Dan Peck examining the long-run social costs of persistent unemployment, contains an embedded series of glourified vlogs blasting the youth of the nation for being "Followers, Not Leaders" and entitled basterds.  Au contraire, stuffy old people, WE, the youth, will lead the economic recovery, for several reasons:

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Thursday
Jan212010

The Cove and the Self-Righteousness of Activists

The Cove, a 2009 documentary directed by former National Geographic photographer Louis Psihoyos, boasts an enviable collection of awards and critical acclaim.  The film won audience awards at Sundance, Hot Docs, Silver Docs, Sydney, and Maui, Golden Space Needle in Seattle, Best Feature Documentary in Galway, Best Theatrical and Best in Festival at Blue Ocean, Truly Moving Picture at Heartland, Best Feature Film and Best Storytelling in Nantucket, Winner at Newport Beach, Jury Award in Traverse City, and was selected Best Documentary by the National Board of Review, L.A. Film Critics, and New York Film Critics Online.  The Cove has a 95% freshness rating on Rotten Tomatoes and an average score of 82 on Metacritic.  It has been shortlisted for a Best Documentary nomination for the 2010 Academy Awards.  In the words of Metacritic, that is "universal acclaim."

The film's subject is dolphin hunting in Japan: a group of American activists sneak into a private cove used by local fishermen to trap migrating dolphins and film the subsequent slaughter. Yes—that’s right—the Japanese hunt and murder/death/kill cute little baby genius dolphins like Darwin from Seaquest.  While South Park devoted an entire episode to ripping the documentary, Michelle Orange of Movie Line puts it best:

How much of this (The Cove) should we believe? As a piece of propaganda, The Cove is brilliant; as a story of ingenuity and triumph over what seems like senseless brutality, it is exceptionally well-told; but as a conscientious overview of a complex and deeply fraught, layered issue, it invokes the same phrase as even the most well-intentioned, impassioned activist docs: Buyer beware. 

Japanese consumption of whale and dolphin meat and Japan's general spurning of International Whaling Commission resolutions are extremely complex issues that should be examined soberly.  Unfortunately, the activists in The Cove—like many of the louder, more self-righteous environmentalists—skip the part where they take time to consider the multifaceted, layered issue and rush blindly in convinced the world is comprised of evil, greedy men for them to battle.  Even more unfortunately, this attitude turns off many naturally skeptical people (the support of which the environmental movement sorely needs) from real and important causes.

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